Mitoraj. Daedalus. Bronze. Height 5.86 m. Width 2.40 m. Weight 2730 kg. <\/figcaption><\/figure>\n<\/figure>\n\n\n\nIn ancient sculpture, the gods and heroes often embodied an ideal of beauty and power. Mitoraj takes up this tradition to transcend it even further. His characters seem to belong to a vanished world. Their harmonious proportions evoke Greek statues, but their injuries introduce a dissonance. How can such majestic figures appear so vulnerable?\nMitoraj. Osiris asleep. 2004. Bronze. Height 2.14 m. Width 2.25 m. Weight 450 kg. <\/figcaption><\/figure>\n\n\n\nMitoraj. An elongated torso. 2000. Bronze. Height 2.96 m. Width 1.80 m. Weight 1700 kg.<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<\/p>\n\n\n
\n
Sicily. Sculpture by Igor Mitoraj. Lights of Nara, or Luci di Nara (\u00abThe Lights of Nara\u00bb), is a particularly representative work of Igor Mitoraj\u2019s universe. It combines the ideal beauty inherited from ancient sculpture with the fragmentation of the human face, a recurring theme in the sculptor\u2019s work. Travertine. Height 2.14 m. Width 2.20 m. Weight 4125 kg.<\/em>One might think that these fragments were unearthed during archaeological excavations. However, their fractures are not the work of time: they belong to the very conception of the sculptures. Where the archaeologist attempts to restore the integrity of a work from its remains, Mitoraj deliberately chooses fragmentation. Limbed bodies, fissured faces, missing limbs: mutilation does not destroy beauty; it gives it a different dimension. The harmony of the forms remains, but it is charged with a fragility that makes these figures deeply human.<\/p>\n\n\n\n\nMitoraj. Winged Eros with hand. 2013. Bronze. Height 2.85 m. Width 2.93 m. Weight 1117 kg.<\/figcaption><\/figure>\n\n\n\nMitoraj. Winged Eros with hand. 2013. Bronze. Height 2.85 m. Width 2.93 m. Weight 1117 kg.<\/figcaption><\/figure>\n<\/figure>\n\n\n\n
<\/span>From D\u2019Ortygie to Etna, the sculpture changes its perspective<\/span><\/h2>\n\n\n\nThe exhibition does not confine itself to the park of Neapolis. Other monumental works have been installed in other Sicilian landscapes, extending the dialogue between sculpture, history and nature.<\/p>\n\n\n\n
<\/span>Ikaria Alata, facing the Sea of Otygie<\/span><\/h3>\n\n\n\n\nSicily. Near the Maniace castle, on the island of Ortygie, Ikaria Alata faces the Mediterranean and impresses with its beauty and harmonious proportions. Mitoraj gives a feminine form to the myth of Icare. This winged figure, devoid of head and arms, seems doomed to never take flight. At the height of the pubis appears a small face that evokes a Gorgone mask. In Antiquity, its effigy had a protective function, intended to ward off evil forces.<\/em><\/p>\n\n\n\nThe marine landscape gives this figure a special strength. The sea, a space of ancient voyages and myths, becomes the backdrop of a sculpture where beauty is always accompanied by a form of fragility.<\/p>\n\n\n\n
<\/span>Teseo Screpolato, on the slopes of Etna<\/span><\/h3>\n\n\n\n
Sicily. Bronze sculpture by Igor Mitoraj. 2011. Bronze. Height 2.95 m. Width 1.88 m. Weight 1,098 kg. \u00a9 Vincenzo Miconi.<\/figcaption><\/figure>\n<\/div>\n\n\nEven more spectacular, Teseo Screpolato (Teseo Fractured) was installed in 2024 at an altitude of approximately 2,000 meters, on the southeastern slope of Mount Etna, in the municipality of Ragalna. Here, the contrast is striking. The sculpted bronze meets the volcanic rock, the fractures imagined by the artist respond to the geological forces that shape the mountain.
<\/span>Sicily, a land of choice for Mitoraj<\/span><\/h2>\n\n\n\n
Sicily. In front of the Concorde Temple in Agrigento, the fallen Icarus lost his wings but not his beauty.<\/em><\/figcaption><\/figure>\n<\/div>\n\n\nThe encounter between Mitoraj and Sicily does not begin in Syracuse. In 2011, his sculptures had already taken over the Valley of the Temples in Agrigento. Among them, Icaro fallen<\/em> (Icare tomb\u00e9), installed in front of the Concorde temple, has become one of the most well-known images of his work on the island.<\/span>When contemporary art awakens the remains<\/span><\/h2>\n\n\n\n
Sicily. Sculpture by Igor Mitoraj. Couple for eternity. 2012. Travertine. Height 1.13 m. Width 1.58 m. Weight 1220 kg<\/em><\/figcaption><\/figure>\n<\/div>\n\n\nInstalling contemporary sculptures in an archaeological site is never a neutral gesture. The works can enrich the perception of the monuments, but also change the way visitors view them.
Text and Photos : <\/strong>Brigitte Postel unless otherwise stated<\/p>\n\n\n\n<\/p>","protected":false},"excerpt":{"rendered":"
The exhibition dedicated to Igor Mitoraj in Sicily ended in October 2025. But does an exhibition still need to be on display to merit our attention? Certainly not when it comes to an artist of this magnitude. By dialoguing with his sculptures\u2026<\/p>","protected":false},"author":5,"featured_media":15255,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"footnotes":""},"categories":[116,77,133],"tags":[90,629,634,633,630,631,632],"class_list":["post-15250","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-europe","category-expositions","category-italie","tag-art","tag-igor-mitoraj","tag-mitoraj-et-la-mythologie-grecque","tag-parc-archeologique-de-neapolis","tag-sculpture-contemporaine","tag-sicile","tag-syracuse"],"yoast_head":"\n
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