{"id":6350,"date":"2024-09-04T13:41:10","date_gmt":"2024-09-04T12:41:10","guid":{"rendered":"https:\/\/universvoyage.com\/?p=6350"},"modified":"2026-01-11T19:33:48","modified_gmt":"2026-01-11T18:33:48","slug":"bonnard-and-japan","status":"publish","type":"post","link":"https:\/\/universvoyage.com\/en\/bonnard-et-le-japon\/","title":{"rendered":"Bonnard and Japan"},"content":{"rendered":"<p><br><strong>The H\u00f4tel Caumont-Centre d'Art d'Aix-en-Provence is bringing together for the first time the influence of Japanese prints on the work of Pierre Bonnard (1867-1947). It's an original theme, and one that will appeal above all to the prints selected.<\/strong><\/p><div id=\"ez-toc-container\" class=\"ez-toc-v2_0_82_2 counter-hierarchy ez-toc-counter ez-toc-white ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<span class=\"ez-toc-title-toggle\"><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/universvoyage.com\/en\/bonnard-et-le-japon\/#La_folie_Japon\" >Japan madness<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/universvoyage.com\/en\/bonnard-et-le-japon\/#Bonnard_magicien_de_la_lumiere_et_de_la_couleur\" >Bonnard, magician of light and colour<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/universvoyage.com\/en\/bonnard-et-le-japon\/#Les_nus_de_Marthe_muse_et_modele\" >The nudes of Marthe, muse and model<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/universvoyage.com\/en\/bonnard-et-le-japon\/#Pour_en_savoir_plus\" >To find out more<\/a><\/li><\/ul><\/li><\/ul><\/nav><\/div>\n\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/15_-Bis_Utagawa-Hiroshige-Prince-et-femme-dans-un-verger-de-pruniers-en-fleurs-detail-central-1853-Estampe-Collection-Georges-Leskowicz-\u00a9-Fundacja-Jerzego-Leskowicza-Copier.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"Utagawa Hiroshige. Prince et femme dans un verger de pruniers en fleurs, detail central-1853-Estampe. Collection-Georges Leskowicz-\u00a9 Fundacja Jerzego Leskowicza.\" data-rl_caption=\"Utagawa Hiroshige. Prince et femme dans un verger de pruniers en fleurs, detail central-1853-Estampe. Collection-Georges Leskowicz-\u00a9 Fundacja Jerzego Leskowicza.\" title=\"Utagawa Hiroshige. Prince and woman in an orchard of plum trees in blossom, central detail-1853-Print. Collection-Georges Leskowicz-\u00a9 Fundacja Jerzego Leskowicza.\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"492\" src=\"https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/15_-Bis_Utagawa-Hiroshige-Prince-et-femme-dans-un-verger-de-pruniers-en-fleurs-detail-central-1853-Estampe-Collection-Georges-Leskowicz-\u00a9-Fundacja-Jerzego-Leskowicza-Copier-1024x492.jpg\" alt=\"Utagawa Hiroshige. Prince and woman in an orchard of plum trees in blossom, central detail-1853-Print. Collection-Georges Leskowicz-\u00a9 Fundacja Jerzego Leskowicza.\" class=\"wp-image-6365\" srcset=\"https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/15_-Bis_Utagawa-Hiroshige-Prince-et-femme-dans-un-verger-de-pruniers-en-fleurs-detail-central-1853-Estampe-Collection-Georges-Leskowicz-\u00a9-Fundacja-Jerzego-Leskowicza-Copier-1024x492.jpg 1024w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/15_-Bis_Utagawa-Hiroshige-Prince-et-femme-dans-un-verger-de-pruniers-en-fleurs-detail-central-1853-Estampe-Collection-Georges-Leskowicz-\u00a9-Fundacja-Jerzego-Leskowicza-Copier-300x144.jpg 300w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/15_-Bis_Utagawa-Hiroshige-Prince-et-femme-dans-un-verger-de-pruniers-en-fleurs-detail-central-1853-Estampe-Collection-Georges-Leskowicz-\u00a9-Fundacja-Jerzego-Leskowicza-Copier-768x369.jpg 768w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/15_-Bis_Utagawa-Hiroshige-Prince-et-femme-dans-un-verger-de-pruniers-en-fleurs-detail-central-1853-Estampe-Collection-Georges-Leskowicz-\u00a9-Fundacja-Jerzego-Leskowicza-Copier-18x9.jpg 18w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/15_-Bis_Utagawa-Hiroshige-Prince-et-femme-dans-un-verger-de-pruniers-en-fleurs-detail-central-1853-Estampe-Collection-Georges-Leskowicz-\u00a9-Fundacja-Jerzego-Leskowicza-Copier-600x288.jpg 600w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/15_-Bis_Utagawa-Hiroshige-Prince-et-femme-dans-un-verger-de-pruniers-en-fleurs-detail-central-1853-Estampe-Collection-Georges-Leskowicz-\u00a9-Fundacja-Jerzego-Leskowicza-Copier-36x17.jpg 36w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/15_-Bis_Utagawa-Hiroshige-Prince-et-femme-dans-un-verger-de-pruniers-en-fleurs-detail-central-1853-Estampe-Collection-Georges-Leskowicz-\u00a9-Fundacja-Jerzego-Leskowicza-Copier.jpg 1366w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\"><em>Utagawa Hiroshige. Prince and woman in an orchard of plum trees in blossom, central detail-1853-Print. Georges Leskowicz Collection-\u00a9 Fundacja Jerzego Leskowicza.<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p>Nearly 130 works from private and public collections in Europe are brought together in this exhibition, which combines magnificent prints by Japanese masters from the Georges Leskowicz collection (Hiroshige, Kuniyoshi, Utamaro, Kory\u00fbsai, Utagawa) and paintings by Bonnard inspired by the bewitching world of the<em>ukiyo-e<\/em>literally \"images of the floating world\".<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><a href=\"https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/16_Utagawa-Hiroshige-Feu-dartifice-de-Ryogoku-Copier.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"Utagawa Hiroshige. Feu d&rsquo;artifice de Ryogoku. Se\u0301rie \u00ab\u00a0Vues ce\u0301le\u0300bres d\u2019Edo-Cinq e\u0301le\u0301ments\u00a0\u00bb Signe\u0301_ Hiroshige ga, Editeur Sanoya Kihei, vers 1851-52, Xylogravure polychrome, Format oban tate-e, 36,3 x 2.\" data-rl_caption=\"Utagawa Hiroshige. Feu d&#039;artifice de Ryogoku. Se\u0301rie \u00ab\u00a0Vues ce\u0301le\u0300bres d\u2019Edo-Cinq e\u0301le\u0301ments\u00a0\u00bb Signe\u0301_ Hiroshige ga, Editeur Sanoya Kihei, vers 1851-52, Xylogravure polychrome, Format oban tate-e, 36,3 x 2.\" title=\"Utagawa Hiroshige. Ryogoku Fireworks. Signed_ Hiroshige ga, Publisher Sanoya Kihei, circa 1851-52, Polychrome Xylogravure, Format oban tate-e, 36,3 x 2.\"><img loading=\"lazy\" decoding=\"async\" width=\"513\" height=\"768\" src=\"https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/16_Utagawa-Hiroshige-Feu-dartifice-de-Ryogoku-Copier.jpg\" alt=\"Utagawa Hiroshige. Ryogoku Fireworks. Signed_ Hiroshige ga, Publisher Sanoya Kihei, circa 1851-52, Polychrome Xylogravure, Format oban tate-e, 36,3 x 2.\" class=\"wp-image-6376\" srcset=\"https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/16_Utagawa-Hiroshige-Feu-dartifice-de-Ryogoku-Copier.jpg 513w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/16_Utagawa-Hiroshige-Feu-dartifice-de-Ryogoku-Copier-200x300.jpg 200w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/16_Utagawa-Hiroshige-Feu-dartifice-de-Ryogoku-Copier-8x12.jpg 8w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/16_Utagawa-Hiroshige-Feu-dartifice-de-Ryogoku-Copier-401x600.jpg 401w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/16_Utagawa-Hiroshige-Feu-dartifice-de-Ryogoku-Copier-16x24.jpg 16w\" sizes=\"auto, (max-width: 513px) 100vw, 513px\" \/><\/a><figcaption class=\"wp-element-caption\"><em>Utagawa Hiroshige. Ryogoku Fireworks. Signed_ Hiroshige ga, Publisher Sanoya Kihei, circa 1851-52, Polychrome Xylogravure, Format oban tate-e, 36,3 x 2.<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p><br>Although Japanese prints were relegated to second place at the seventh Universal Exhibition in 1867, the works and productions of the Land of the Rising Sun contributed to the vogue for Japonism in the West. Most of the Impressionists, including Manet, Van Gogh, Gauguin and Toulouse-Lautrec, found new sources of inspiration for their paintings. As did the American painter James Whistler (1834-1903), whose work was inspired by Japan. At the end of the 1880s, Pierre Bonnard also fell under the spell of these prints, which he collected until the end of his life.<br><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"La_folie_Japon\"><\/span>Japan madness<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><a href=\"https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/OK_-LEtang-Shinozabu-vu-du-pavillon-Kiyomizu-Kannon-a-Ueno-\u00a9-photo-Christian-Moutarde-_-\u00a9-Fundacja-Jerzego-Leskowicza-Copier.jpg\" data-rel=\"lightbox-image-2\" data-rl_title=\"Utagawa Hiiroshige. L&rsquo;\u00e9tang Shinozabu vu du pavillon Kiyomizu Kannon a Ueno. \u00a9-photo-Christian-Moutarde-\u00a9 Fundacja Jerzego Leskowicza.\" data-rl_caption=\"Utagawa Hiiroshige. L&#039;\u00e9tang Shinozabu vu du pavillon Kiyomizu Kannon a Ueno. \u00a9-photo-Christian-Moutarde-\u00a9 Fundacja Jerzego Leskowicza.\" title=\"Utagawa Hiiroshige. Shinozabu pond seen from the Kiyomizu Kannon pavilion in Ueno \u00a9-photo-Christian-Moutarde-\u00a9 Fundacja Jerzego Leskowicza.\"><img loading=\"lazy\" decoding=\"async\" width=\"512\" height=\"768\" src=\"https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/OK_-LEtang-Shinozabu-vu-du-pavillon-Kiyomizu-Kannon-a-Ueno-\u00a9-photo-Christian-Moutarde-_-\u00a9-Fundacja-Jerzego-Leskowicza-Copier.jpg\" alt=\"Utagawa Hiiroshige. Shinozabu pond seen from the Kiyomizu Kannon pavilion in Ueno \u00a9-photo-Christian-Moutarde-\u00a9 Fundacja Jerzego Leskowicza.\" class=\"wp-image-6368\" srcset=\"https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/OK_-LEtang-Shinozabu-vu-du-pavillon-Kiyomizu-Kannon-a-Ueno-\u00a9-photo-Christian-Moutarde-_-\u00a9-Fundacja-Jerzego-Leskowicza-Copier.jpg 512w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/OK_-LEtang-Shinozabu-vu-du-pavillon-Kiyomizu-Kannon-a-Ueno-\u00a9-photo-Christian-Moutarde-_-\u00a9-Fundacja-Jerzego-Leskowicza-Copier-200x300.jpg 200w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/OK_-LEtang-Shinozabu-vu-du-pavillon-Kiyomizu-Kannon-a-Ueno-\u00a9-photo-Christian-Moutarde-_-\u00a9-Fundacja-Jerzego-Leskowicza-Copier-8x12.jpg 8w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/OK_-LEtang-Shinozabu-vu-du-pavillon-Kiyomizu-Kannon-a-Ueno-\u00a9-photo-Christian-Moutarde-_-\u00a9-Fundacja-Jerzego-Leskowicza-Copier-400x600.jpg 400w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/OK_-LEtang-Shinozabu-vu-du-pavillon-Kiyomizu-Kannon-a-Ueno-\u00a9-photo-Christian-Moutarde-_-\u00a9-Fundacja-Jerzego-Leskowicza-Copier-16x24.jpg 16w\" sizes=\"auto, (max-width: 512px) 100vw, 512px\" \/><\/a><figcaption class=\"wp-element-caption\"><em>Utagawa Hiiroshige. Shinozabu pond seen from the Kiyomizu Kannon pavilion in Ueno \u00a9-photo-Christian-Moutarde-\u00a9 Fundacja Jerzego Leskowicza.<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p><br>With his friends in the Nabis group (1), Maurice Denis, Edouard Vuillard and Paul Ranson, formed in 1889 under the influence of Paul S\u00e9rusier, Bonnard wanted to break away from academicism and seek out new forms. These artists, precursors of the avant-gardes of the early twentieth century, wanted to spiritualise art by simplifying it and giving it universal appeal. As early as 1889, Bonnard produced screens inspired by motifs from Japanese art. The exhibition of Japanese prints at the \u00c9cole des Beaux-arts in the spring of 1890 was a real revelation for him and accentuated his choices. From then on, he turned away from the representation of reality and adopted new aesthetic principles: rejection of realism, absence of perspective, flatness of composition, intensity of colour, etc.<br><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><a href=\"https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/19_Pierre-Bonnard-Le-jardin-au-Cannet-1945-Huile-sur-toile-Musee-de-lAbbaye-_-donation-Guy-Bardone-\u2013-Rene-Genis-Saint-Claude-Copier.jpg\" data-rel=\"lightbox-image-3\" data-rl_title=\"Pierre Bonnard. Le-jardin au Cannet, 1945. Huile sur toile. Mus\u00e9e de l&rsquo;Abbaye. Donation-Guy-Bardone-\u2013-Ren\u00e9 Genis-Saint-Claude.\" data-rl_caption=\"Pierre Bonnard. Le-jardin au Cannet, 1945. Huile sur toile. Mus\u00e9e de l&#039;Abbaye. Donation-Guy-Bardone-\u2013-Ren\u00e9 Genis-Saint-Claude.\" title=\"Pierre Bonnard. Le-jardin au Cannet, 1945. Oil on canvas. Mus\u00e9e de l&#039;Abbaye. Donation-Guy-Bardone---Ren\u00e9 Genis-Saint-Claude.\"><img loading=\"lazy\" decoding=\"async\" width=\"634\" height=\"768\" src=\"https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/19_Pierre-Bonnard-Le-jardin-au-Cannet-1945-Huile-sur-toile-Musee-de-lAbbaye-_-donation-Guy-Bardone-\u2013-Rene-Genis-Saint-Claude-Copier.jpg\" alt=\"Pierre Bonnard. Le-jardin au Cannet, 1945. Oil on canvas. Mus\u00e9e de l&#039;Abbaye. Donation-Guy-Bardone---Ren\u00e9 Genis-Saint-Claude.\" class=\"wp-image-6371\" srcset=\"https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/19_Pierre-Bonnard-Le-jardin-au-Cannet-1945-Huile-sur-toile-Musee-de-lAbbaye-_-donation-Guy-Bardone-\u2013-Rene-Genis-Saint-Claude-Copier.jpg 634w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/19_Pierre-Bonnard-Le-jardin-au-Cannet-1945-Huile-sur-toile-Musee-de-lAbbaye-_-donation-Guy-Bardone-\u2013-Rene-Genis-Saint-Claude-Copier-248x300.jpg 248w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/19_Pierre-Bonnard-Le-jardin-au-Cannet-1945-Huile-sur-toile-Musee-de-lAbbaye-_-donation-Guy-Bardone-\u2013-Rene-Genis-Saint-Claude-Copier-10x12.jpg 10w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/19_Pierre-Bonnard-Le-jardin-au-Cannet-1945-Huile-sur-toile-Musee-de-lAbbaye-_-donation-Guy-Bardone-\u2013-Rene-Genis-Saint-Claude-Copier-495x600.jpg 495w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/19_Pierre-Bonnard-Le-jardin-au-Cannet-1945-Huile-sur-toile-Musee-de-lAbbaye-_-donation-Guy-Bardone-\u2013-Rene-Genis-Saint-Claude-Copier-20x24.jpg 20w\" sizes=\"auto, (max-width: 634px) 100vw, 634px\" \/><\/a><figcaption class=\"wp-element-caption\"><em>Pierre Bonnard. Le-jardin au Cannet, 1945. Oil on canvas. Mus\u00e9e de l'Abbaye. Donation-Guy-Bardone---Ren\u00e9 Genis-Saint-Claude.<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p><em>\"When I came into contact with these frustrating popular images, I realised that, as in this case, colour could express everything without the need for relief or modelling. It seemed to me that it was possible to convey light, form and character with colour alone\".<\/em>he wrote.<br>As Isabelle Cahn, the exhibition's curator, points out in relation to Japanese art, Bonnard's impressions of it are as follows <em>\"his ability to simplify forms, his art of the understatement, his taste for the unexpected, his instinctive fantasy\".<\/em>.<br><br><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Bonnard_magicien_de_la_lumiere_et_de_la_couleur\"><\/span>Bonnard, magician of light and colour<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/1725438321367-Copier.jpg\" data-rel=\"lightbox-image-4\" data-rl_title=\"Pierre Bonnard. Poissons dans un bassin ou Le Bassin d&rsquo;Agenor, vers 1943. Collection particuli\u00e8re.\" data-rl_caption=\"Pierre Bonnard. Poissons dans un bassin ou Le Bassin d&#039;Agenor, vers 1943. Collection particuli\u00e8re.\" title=\"Pierre Bonnard. Poissons dans un bassin or Le Bassin d&#039;Agenor, circa 1943. Private collection.\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"577\" src=\"https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/1725438321367-Copier-1024x577.jpg\" alt=\"Pierre Bonnard. Poissons dans un bassin or Le Bassin d&#039;Agenor, circa 1943. Private collection.\" class=\"wp-image-6374\" srcset=\"https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/1725438321367-Copier-1024x577.jpg 1024w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/1725438321367-Copier-300x169.jpg 300w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/1725438321367-Copier-768x432.jpg 768w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/1725438321367-Copier-18x10.jpg 18w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/1725438321367-Copier-600x338.jpg 600w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/1725438321367-Copier-36x20.jpg 36w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/1725438321367-Copier.jpg 1364w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Pierre Bonnard. Fish in a Basin or The Basin of Agen<em>or, circa 1943. Oil on canvas. Private collection.<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p>Seduced by the graphic expression of the Japanese and the cohabitation of several temporalities in a single image, Bonnard showed boldness in the composition of his works, reducing space to the flat surface as in <em>Fish in a pond<\/em> (1943). Particularly attentive to the \"Japanese crepons\" and crumpled rice paper sold by the Japanese shops on Avenue de l'Op\u00e9ra in Paris, the \"Nabi tr\u00e8s Japonard\", as he was known, demonstrated this in some of his paintings and in the lithographs he produced at the request of the art dealer Ambroise Vollard, using pure flat colours and arabesque stylisation.<br>In 1891, he painted the four \"Women in the Garden\" decorative panels on which the museum tour begins. These elongated formats are reminiscent of Japanese kakemonos. He was the first to combine stylised female figures with a plant motif to create a d\u00e9cor. The prints, collected throughout his life and unfortunately dispersed on his death, are not precisely known, but we can guess from his work that this \"floating world\", images of the ephemeral and the metamorphoses of nature, resonates with his sense of aesthetics. <em>\"It's not about painting life, it's about bringing painting to life\".<\/em>he wrote in 1946 in <em>Observations on the painting<\/em>.<br><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Les_nus_de_Marthe_muse_et_modele\"><\/span>The nudes of Marthe, muse and model <span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><a href=\"https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/Pierre-Bonnard-Nu-a-la-lumiere-1908.jpg\" data-rel=\"lightbox-image-5\" data-rl_title=\"Pierre Bonnard. Nu \u00e0 la lumi\u00e8re. 1908, Huile sur toile, 115,5 x 63,2 cm. MAH Muse\u0301e d&rsquo;art et d&rsquo;histoire, Ville de Gene\u0300ve. Legs Vassily Photiade\u0300s, Lausanne, 1977. Photo akg-images.\" data-rl_caption=\"Pierre Bonnard. Nu \u00e0 la lumi\u00e8re. 1908, Huile sur toile, 115,5 x 63,2 cm. MAH Muse\u0301e d&#039;art et d&#039;histoire, Ville de Gene\u0300ve. Legs Vassily Photiade\u0300s, Lausanne, 1977. Photo akg-images.\" title=\"Pierre Bonnard. Nude in the Light. 1908, Oil on canvas, 115.5 x 63.2 cm. MAH Mus\u00e9e d&#039;art et d&#039;histoire, City of Geneva. Legacy of Vassily Photiad\u00e8s, Lausanne, 1977. Photo akg-images.\"><img loading=\"lazy\" decoding=\"async\" width=\"418\" height=\"768\" src=\"https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/Pierre-Bonnard-Nu-a-la-lumiere-1908.jpg\" alt=\"Pierre Bonnard. Nude in the Light. 1908, Oil on canvas, 115.5 x 63.2 cm. MAH Mus\u00e9e d&#039;art et d&#039;histoire, City of Geneva. Legacy of Vassily Photiad\u00e8s, Lausanne, 1977. Photo akg-images.\" class=\"wp-image-6380\" srcset=\"https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/Pierre-Bonnard-Nu-a-la-lumiere-1908.jpg 418w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/Pierre-Bonnard-Nu-a-la-lumiere-1908-163x300.jpg 163w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/Pierre-Bonnard-Nu-a-la-lumiere-1908-7x12.jpg 7w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/Pierre-Bonnard-Nu-a-la-lumiere-1908-327x600.jpg 327w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/Pierre-Bonnard-Nu-a-la-lumiere-1908-13x24.jpg 13w\" sizes=\"auto, (max-width: 418px) 100vw, 418px\" \/><\/a><figcaption class=\"wp-element-caption\"><em>Pierre Bonnard. Nude in the Light. 1908, Oil on canvas, 115.5 x 63.2 cm. MAH Mus\u00e9e d'art et d'histoire, City of Geneva. Legacy of Vassily Photiad\u00e8s, Lausanne, 1977. Photo akg-images.<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p><br>In 1926, his wife's health failing, he moved to Le Cannet. Bonnard painted scenes of everyday life on large canvases stretched out in his studio, which he cut up after finishing his painting. Receptive to the slightest nuances of light, both diffuse and brilliant, he noted the variations in the weather every day in his notebooks: <em>\"beautiful cloudy<\/em>, <em>\"rain and shine<\/em>, <em>\"when the weather is fine but cool, there's vermilion in the orange shadows\".<\/em>... A sensitivity to the colours of time that he shares with the Japanese people. He embraces the spiritual principle laid down by the great tea master Sen no Riky\u00fb (2), named <em>wabi-sabi<\/em> simplicity and the art of imperfection, inviting us to observe the beauty of everyday life. He painted interior scenes. His family, newborn babies, children and pets became the subject of numerous paintings and drawings.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><a href=\"https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/17_Pierre-Bonnard-Nu-gris-de-profil-Copier-Copier.jpg\" data-rel=\"lightbox-image-6\" data-rl_title=\"Pierre Bonnard. Nu gris de profil. vers 1933, Huile sur toile, 114 x 61 cm. Muse\u0301e Albertina, Vienne, La collection Batliner. Photo akg-images.\" data-rl_caption=\"Pierre Bonnard. Nu gris de profil. vers 1933, Huile sur toile, 114 x 61 cm. Muse\u0301e Albertina, Vienne, La collection Batliner. Photo akg-images.\" title=\"Pierre Bonnard. Grey nude in profile. ca. 1933, Oil on canvas, 114 x 61 cm. Albertina Museum, Vienna, Batliner Collection. Photo akg-images.\"><img loading=\"lazy\" decoding=\"async\" width=\"412\" height=\"768\" src=\"https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/17_Pierre-Bonnard-Nu-gris-de-profil-Copier-Copier.jpg\" alt=\"Pierre Bonnard. Grey nude in profile. ca. 1933, Oil on canvas, 114 x 61 cm. Albertina Museum, Vienna, Batliner Collection. Photo akg-images.\" class=\"wp-image-6383\" srcset=\"https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/17_Pierre-Bonnard-Nu-gris-de-profil-Copier-Copier.jpg 412w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/17_Pierre-Bonnard-Nu-gris-de-profil-Copier-Copier-161x300.jpg 161w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/17_Pierre-Bonnard-Nu-gris-de-profil-Copier-Copier-6x12.jpg 6w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/17_Pierre-Bonnard-Nu-gris-de-profil-Copier-Copier-322x600.jpg 322w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/17_Pierre-Bonnard-Nu-gris-de-profil-Copier-Copier-13x24.jpg 13w\" sizes=\"auto, (max-width: 412px) 100vw, 412px\" \/><\/a><figcaption class=\"wp-element-caption\"><em>Pierre Bonnard. Grey nude in profile. ca. 1933, Oil on canvas, 114 x 61 cm. Albertina Museum, Vienna, Batliner Collection. Photo akg-images.<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p><br>In the early 1890s, his meeting with Marthe, whom he married in 1925, gave him the opportunity to paint nudity in an innovative manner reminiscent of the <em>Beauties <\/em>by Utamaro. The exhibition closes with an impressive group of nudes of Marthe, the only model for his nudes. Backlit or in diffused light, Marthe's slender, curvaceous body is depicted in all sorts of ways, crouching, leaning against a doorframe or the bathtub, disappearing into the bathtub where she seems to be dozing off.<br><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><a href=\"https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/1_Pierre-Bonnard-LAmandier-en-fleurs-vers-1930-Copier.jpg\" data-rel=\"lightbox-image-7\" data-rl_title=\"Pierre Bonnard, L\u2019Amandier en fleurs, vers 1930. Huile sur toile, 51,1 x 34,9 cm, Muse\u0301e Bonnard, Le Cannet, Don de la Fondation Meyer pour le de\u0301veloppement culturel et artistique, 2014, \u00a9 muse\u0301e Bonnard.\" data-rl_caption=\"Pierre Bonnard, L\u2019Amandier en fleurs, vers 1930. Huile sur toile, 51,1 x 34,9 cm, Muse\u0301e Bonnard, Le Cannet, Don de la Fondation Meyer pour le de\u0301veloppement culturel et artistique, 2014, \u00a9 muse\u0301e Bonnard.\" title=\"Pierre Bonnard, The Almond Tree in Bloom, ca. 1930. Oil on canvas, 51.1 x 34.9 cm, Mus\u00e9e Bonnard, Le Cannet, Gift of the Meyer Foundation for Cultural and Artistic Development, 2014, \u00a9 mus\u00e9e Bonnard.\"><img loading=\"lazy\" decoding=\"async\" width=\"524\" height=\"768\" src=\"https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/1_Pierre-Bonnard-LAmandier-en-fleurs-vers-1930-Copier.jpg\" alt=\"Pierre Bonnard, The Almond Tree in Bloom, ca. 1930. Oil on canvas, 51.1 x 34.9 cm, Mus\u00e9e Bonnard, Le Cannet, Gift of the Meyer Foundation for Cultural and Artistic Development, 2014, \u00a9 mus\u00e9e Bonnard.\" class=\"wp-image-6360\" srcset=\"https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/1_Pierre-Bonnard-LAmandier-en-fleurs-vers-1930-Copier.jpg 524w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/1_Pierre-Bonnard-LAmandier-en-fleurs-vers-1930-Copier-205x300.jpg 205w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/1_Pierre-Bonnard-LAmandier-en-fleurs-vers-1930-Copier-8x12.jpg 8w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/1_Pierre-Bonnard-LAmandier-en-fleurs-vers-1930-Copier-409x600.jpg 409w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/1_Pierre-Bonnard-LAmandier-en-fleurs-vers-1930-Copier-16x24.jpg 16w\" sizes=\"auto, (max-width: 524px) 100vw, 524px\" \/><\/a><figcaption class=\"wp-element-caption\"><em>Pierre Bonnard, The Almond Tree in Bloom, ca. 1930. Oil on canvas, 51.1 x 34.9 cm, Mus\u00e9e Bonnard, Le Cannet, Gift of the Meyer Foundation for Cultural and Artistic Development, 2014, \u00a9 mus\u00e9e Bonnard.<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p>His last painting of <em>The almond tree in bloom<\/em>painted in 1946, exhibited at the Mus\u00e9e National d'Art Moderne in Paris, reveals his taste for contemplating nature and the breadth of his genius. This tree gave him&nbsp;<em>\"the strength to paint it every year\".<\/em>.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Pour_en_savoir_plus\"><\/span>To find out more<span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/14_Katsushika-Hokusai-LEnvers-de-la-grande-vague-de-Kanagawa-Copier.jpg\" data-rel=\"lightbox-image-8\" data-rl_title=\"Katsushika Hokusai. L&rsquo;envers de la grande vague. Se\u0301rie \u00ab\u00a0Trente-Six Vues du Fuji\u00a0\u00bb, Vers 1831. Estampe, 26,1 x 38,8 cm, Collection Georges Leskowicz. \u00a9 photo Thierry Ollivier _\u00a9 Fundacja Jerzego.\" data-rl_caption=\"Katsushika Hokusai. L&#039;envers de la grande vague. Se\u0301rie \u00ab\u00a0Trente-Six Vues du Fuji\u00a0\u00bb, Vers 1831. Estampe, 26,1 x 38,8 cm, Collection Georges Leskowicz. \u00a9 photo Thierry Ollivier _ \u00a9 Fundacja Jerzego.\" title=\"Katsushika Hokusai. The other side of the great wave. Thirty-six Views of Fuji&quot; series, circa 1831. Print, 26.1 x 38.8 cm, Georges Leskowicz Collection. photo Thierry Ollivier _\u00a9 Fundacja Jerzego.\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"703\" src=\"https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/14_Katsushika-Hokusai-LEnvers-de-la-grande-vague-de-Kanagawa-Copier-1024x703.jpg\" alt=\"Katsushika Hokusai. The other side of the great wave. Thirty-Six Views of Fuji&quot; series, circa 1831. Print, 26.1 x 38.8 cm, Georges Leskowicz Collection. photo Thierry Ollivier _ \u00a9 Fundacja Jerzego.\" class=\"wp-image-6387\" srcset=\"https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/14_Katsushika-Hokusai-LEnvers-de-la-grande-vague-de-Kanagawa-Copier-1024x703.jpg 1024w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/14_Katsushika-Hokusai-LEnvers-de-la-grande-vague-de-Kanagawa-Copier-300x206.jpg 300w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/14_Katsushika-Hokusai-LEnvers-de-la-grande-vague-de-Kanagawa-Copier-768x527.jpg 768w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/14_Katsushika-Hokusai-LEnvers-de-la-grande-vague-de-Kanagawa-Copier-18x12.jpg 18w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/14_Katsushika-Hokusai-LEnvers-de-la-grande-vague-de-Kanagawa-Copier-600x412.jpg 600w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/14_Katsushika-Hokusai-LEnvers-de-la-grande-vague-de-Kanagawa-Copier-36x24.jpg 36w, https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/14_Katsushika-Hokusai-LEnvers-de-la-grande-vague-de-Kanagawa-Copier.jpg 1119w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\"><em>Katsushika Hokusai. The other side of the great wave. Thirty-Six Views of Fuji\" series, circa 1831. Print, 26.1 x 38.8 cm, Georges Leskowicz Collection. photo Thierry Ollivier \u00a9 Fundacja Jerzego.<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p><br>The exhibition brings together works by Bonnard, mostly from private collections, but we regret the absence of some of the artist's major works. The display attempts to show what his painting owes to Japanese prints, even if this is not immediately obvious! Above all, it is the prints, which are exceptional, that transcend the exhibition, and even if you don't like Bonnard, they are of real interest, as much for their signatures as for their beauty. Please note that the&nbsp;<em>Georges Leskowicz<\/em>&nbsp;has one of the largest collections of Japanese prints in the world.<br>Hubert Le Gall's scenography is, as usual, superb. The works are presented in such a way as to immerse visitors in the life of ancient Japan. There is no systematic link between a print and a painting; it is up to each of us to imagine the influence of one on the other.<br>Exhibition curated by Isabelle Cahn, Honorary General Curator of the Mus\u00e9e d'Orsay.<\/p>\n\n\n\n<p><br>1 - A name that means prophet in Hebrew, a term that reflects their quest for spirituality and aesthetic renewal.<br>2 - See the article <a href=\"https:\/\/universvoyage.com\/en\/the-path-of-the-a-path-of-mindfulness\/\">https:\/\/universvoyage.com\/la-voie-du-the-un-chemin-de-pleine-conscience\/<\/a><br><br><strong>Exhibition <\/strong><a href=\"https:\/\/www.caumont-centredart.com\/fr\/bonnard-et-japon?gad_source=1&amp;gclid=Cj0KCQjwiuC2BhDSARIsALOVfBJ70q3etkZzdgL9_eT6el0yy-Kwvrk6x1NA1J1lWwQ6CRUGTY_OtFMaApzXEALw_wcB\">\"Bonnard and Japan<\/a>from 30 April to 6 October 2024. H\u00f4tel de Caumont Centre d'Art. 3 rue Joseph-Cabassol. Aix-en-Provence.<\/p>\n\n\n\n<p><strong>Text :<\/strong> Brigitte Postel<br><strong>Photos : <\/strong>Brigitte Postel and photo credits<\/p>","protected":false},"excerpt":{"rendered":"<p>The H\u00f4tel Caumont-Centre d'Art d'Aix-en-Provence is bringing together for the first time the influence of Japanese prints on the work of Pierre Bonnard (1867-1947). It's an original theme, and one that will appeal above all to the prints selected. Nearly 130 works from private and public collections in Europe...<\/p>","protected":false},"author":5,"featured_media":6363,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"footnotes":""},"categories":[77],"tags":[90,232],"class_list":["post-6350","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions","tag-art","tag-exposition"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.4 (Yoast SEO v27.4) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Bonnard et le Japon - Univers Voyage<\/title>\n<meta name=\"description\" content=\"L\u2019H\u00f4tel Caumont d\u2019Aix-en-Provence rapproche pour la premi\u00e8re fois l\u2019influence des estampes japonaises sur l\u2019\u0153uvre de Pierre Bonnard.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/universvoyage.com\/en\/bonnard-and-japan\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bonnard et le Japon\" \/>\n<meta property=\"og:description\" content=\"L\u2019H\u00f4tel Caumont d\u2019Aix-en-Provence rapproche pour la premi\u00e8re fois l\u2019influence des estampes japonaises sur l\u2019\u0153uvre de Pierre Bonnard.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/universvoyage.com\/en\/bonnard-and-japan\/\" \/>\n<meta property=\"og:site_name\" content=\"Univers Voyage\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/universvoyage\" \/>\n<meta property=\"article:published_time\" content=\"2024-09-04T12:41:10+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-01-11T18:33:48+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/1725438147186-Copier.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1366\" \/>\n\t<meta property=\"og:image:height\" content=\"615\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Brigitte Postel\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@UniversVoyage\" \/>\n<meta name=\"twitter:site\" content=\"@UniversVoyage\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Brigitte Postel\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"9 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/universvoyage.com\\\/bonnard-et-le-japon\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/universvoyage.com\\\/bonnard-et-le-japon\\\/\"},\"author\":{\"name\":\"Brigitte Postel\",\"@id\":\"https:\\\/\\\/universvoyage.com\\\/#\\\/schema\\\/person\\\/9ea4f1a62da34a53e6429c45a2c9a6a9\"},\"headline\":\"Bonnard et le Japon\",\"datePublished\":\"2024-09-04T12:41:10+00:00\",\"dateModified\":\"2026-01-11T18:33:48+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/universvoyage.com\\\/bonnard-et-le-japon\\\/\"},\"wordCount\":1486,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/universvoyage.com\\\/bonnard-et-le-japon\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/universvoyage.com\\\/wp-content\\\/uploads\\\/2024\\\/09\\\/1725438147186-Copier.jpg\",\"keywords\":[\"Art\",\"exposition\"],\"articleSection\":[\"Expositions\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/universvoyage.com\\\/bonnard-et-le-japon\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/universvoyage.com\\\/bonnard-et-le-japon\\\/\",\"url\":\"https:\\\/\\\/universvoyage.com\\\/bonnard-et-le-japon\\\/\",\"name\":\"Bonnard et le Japon - Univers Voyage\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/universvoyage.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/universvoyage.com\\\/bonnard-et-le-japon\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/universvoyage.com\\\/bonnard-et-le-japon\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/universvoyage.com\\\/wp-content\\\/uploads\\\/2024\\\/09\\\/1725438147186-Copier.jpg\",\"datePublished\":\"2024-09-04T12:41:10+00:00\",\"dateModified\":\"2026-01-11T18:33:48+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/universvoyage.com\\\/#\\\/schema\\\/person\\\/9ea4f1a62da34a53e6429c45a2c9a6a9\"},\"description\":\"L\u2019H\u00f4tel Caumont d\u2019Aix-en-Provence rapproche pour la premi\u00e8re fois l\u2019influence des estampes japonaises sur l\u2019\u0153uvre de Pierre Bonnard.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/universvoyage.com\\\/bonnard-et-le-japon\\\/#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/universvoyage.com\\\/bonnard-et-le-japon\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/universvoyage.com\\\/bonnard-et-le-japon\\\/#primaryimage\",\"url\":\"https:\\\/\\\/universvoyage.com\\\/wp-content\\\/uploads\\\/2024\\\/09\\\/1725438147186-Copier.jpg\",\"contentUrl\":\"https:\\\/\\\/universvoyage.com\\\/wp-content\\\/uploads\\\/2024\\\/09\\\/1725438147186-Copier.jpg\",\"width\":1366,\"height\":615,\"caption\":\"Pierre Bonnard. Femmes au jardin : Femme \u00e0 la robe \u00e0 pois blancs ; Femme assise au chat ; Femme \u00e0 la p\u00e9lerine ; Femme \u00e0 la robe quadrill\u00e9e. 1890-1891. D\u00e9trempe \u00e0 la colle sur toile, panneaux d\u00e9coratifs, 160,5 cm x 48 cm pour chaque panneau. Mus\u00e9e d'Orsay, Paris.\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/universvoyage.com\\\/bonnard-et-le-japon\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/universvoyage.com\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Bonnard et le Japon\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/universvoyage.com\\\/#website\",\"url\":\"https:\\\/\\\/universvoyage.com\\\/\",\"name\":\"Univers Voyage\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/universvoyage.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-GB\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/universvoyage.com\\\/#\\\/schema\\\/person\\\/9ea4f1a62da34a53e6429c45a2c9a6a9\",\"name\":\"Brigitte Postel\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/4dbe0adddb698bf59d1269a60e116822eaaad4a739a86af278cc7fbe45e66863?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/4dbe0adddb698bf59d1269a60e116822eaaad4a739a86af278cc7fbe45e66863?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/4dbe0adddb698bf59d1269a60e116822eaaad4a739a86af278cc7fbe45e66863?s=96&d=mm&r=g\",\"caption\":\"Brigitte Postel\"},\"sameAs\":[\"https:\\\/\\\/universvoyage.com\"],\"url\":\"https:\\\/\\\/universvoyage.com\\\/en\\\/author\\\/brigitte-postel\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Bonnard and Japan - Univers Voyage","description":"The H\u00f4tel Caumont in Aix-en-Provence brings together for the first time the influence of Japanese prints on the work of Pierre Bonnard.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/universvoyage.com\/en\/bonnard-and-japan\/","og_locale":"en_GB","og_type":"article","og_title":"Bonnard et le Japon","og_description":"L\u2019H\u00f4tel Caumont d\u2019Aix-en-Provence rapproche pour la premi\u00e8re fois l\u2019influence des estampes japonaises sur l\u2019\u0153uvre de Pierre Bonnard.","og_url":"https:\/\/universvoyage.com\/en\/bonnard-and-japan\/","og_site_name":"Univers Voyage","article_publisher":"https:\/\/www.facebook.com\/universvoyage","article_published_time":"2024-09-04T12:41:10+00:00","article_modified_time":"2026-01-11T18:33:48+00:00","og_image":[{"width":1366,"height":615,"url":"https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/1725438147186-Copier.jpg","type":"image\/jpeg"}],"author":"Brigitte Postel","twitter_card":"summary_large_image","twitter_creator":"@UniversVoyage","twitter_site":"@UniversVoyage","twitter_misc":{"Written by":"Brigitte Postel","Estimated reading time":"9 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/universvoyage.com\/bonnard-et-le-japon\/#article","isPartOf":{"@id":"https:\/\/universvoyage.com\/bonnard-et-le-japon\/"},"author":{"name":"Brigitte Postel","@id":"https:\/\/universvoyage.com\/#\/schema\/person\/9ea4f1a62da34a53e6429c45a2c9a6a9"},"headline":"Bonnard et le Japon","datePublished":"2024-09-04T12:41:10+00:00","dateModified":"2026-01-11T18:33:48+00:00","mainEntityOfPage":{"@id":"https:\/\/universvoyage.com\/bonnard-et-le-japon\/"},"wordCount":1486,"commentCount":0,"image":{"@id":"https:\/\/universvoyage.com\/bonnard-et-le-japon\/#primaryimage"},"thumbnailUrl":"https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/1725438147186-Copier.jpg","keywords":["Art","exposition"],"articleSection":["Expositions"],"inLanguage":"en-GB","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/universvoyage.com\/bonnard-et-le-japon\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/universvoyage.com\/bonnard-et-le-japon\/","url":"https:\/\/universvoyage.com\/bonnard-et-le-japon\/","name":"Bonnard and Japan - Univers Voyage","isPartOf":{"@id":"https:\/\/universvoyage.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/universvoyage.com\/bonnard-et-le-japon\/#primaryimage"},"image":{"@id":"https:\/\/universvoyage.com\/bonnard-et-le-japon\/#primaryimage"},"thumbnailUrl":"https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/1725438147186-Copier.jpg","datePublished":"2024-09-04T12:41:10+00:00","dateModified":"2026-01-11T18:33:48+00:00","author":{"@id":"https:\/\/universvoyage.com\/#\/schema\/person\/9ea4f1a62da34a53e6429c45a2c9a6a9"},"description":"The H\u00f4tel Caumont in Aix-en-Provence brings together for the first time the influence of Japanese prints on the work of Pierre Bonnard.","breadcrumb":{"@id":"https:\/\/universvoyage.com\/bonnard-et-le-japon\/#breadcrumb"},"inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https:\/\/universvoyage.com\/bonnard-et-le-japon\/"]}]},{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/universvoyage.com\/bonnard-et-le-japon\/#primaryimage","url":"https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/1725438147186-Copier.jpg","contentUrl":"https:\/\/universvoyage.com\/wp-content\/uploads\/2024\/09\/1725438147186-Copier.jpg","width":1366,"height":615,"caption":"Pierre Bonnard. Femmes au jardin : Femme \u00e0 la robe \u00e0 pois blancs ; Femme assise au chat ; Femme \u00e0 la p\u00e9lerine ; Femme \u00e0 la robe quadrill\u00e9e. 1890-1891. D\u00e9trempe \u00e0 la colle sur toile, panneaux d\u00e9coratifs, 160,5 cm x 48 cm pour chaque panneau. Mus\u00e9e d'Orsay, Paris."},{"@type":"BreadcrumbList","@id":"https:\/\/universvoyage.com\/bonnard-et-le-japon\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/universvoyage.com\/"},{"@type":"ListItem","position":2,"name":"Bonnard et le Japon"}]},{"@type":"WebSite","@id":"https:\/\/universvoyage.com\/#website","url":"https:\/\/universvoyage.com\/","name":"Travel Universe","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/universvoyage.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-GB"},{"@type":"Person","@id":"https:\/\/universvoyage.com\/#\/schema\/person\/9ea4f1a62da34a53e6429c45a2c9a6a9","name":"Brigitte Postel","image":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/secure.gravatar.com\/avatar\/4dbe0adddb698bf59d1269a60e116822eaaad4a739a86af278cc7fbe45e66863?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/4dbe0adddb698bf59d1269a60e116822eaaad4a739a86af278cc7fbe45e66863?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/4dbe0adddb698bf59d1269a60e116822eaaad4a739a86af278cc7fbe45e66863?s=96&d=mm&r=g","caption":"Brigitte Postel"},"sameAs":["https:\/\/universvoyage.com"],"url":"https:\/\/universvoyage.com\/en\/author\/brigitte-postel\/"}]}},"_links":{"self":[{"href":"https:\/\/universvoyage.com\/en\/wp-json\/wp\/v2\/posts\/6350","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/universvoyage.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/universvoyage.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/universvoyage.com\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/universvoyage.com\/en\/wp-json\/wp\/v2\/comments?post=6350"}],"version-history":[{"count":18,"href":"https:\/\/universvoyage.com\/en\/wp-json\/wp\/v2\/posts\/6350\/revisions"}],"predecessor-version":[{"id":6391,"href":"https:\/\/universvoyage.com\/en\/wp-json\/wp\/v2\/posts\/6350\/revisions\/6391"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/universvoyage.com\/en\/wp-json\/wp\/v2\/media\/6363"}],"wp:attachment":[{"href":"https:\/\/universvoyage.com\/en\/wp-json\/wp\/v2\/media?parent=6350"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/universvoyage.com\/en\/wp-json\/wp\/v2\/categories?post=6350"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/universvoyage.com\/en\/wp-json\/wp\/v2\/tags?post=6350"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}